Friday, July 30, 2010

Griven IP65 Color Changers Shine Bright No Matter What the Weather

Griven is the recognized world leader in color changers, their line of IP65 outdoor color changers is no exception. The ingress protection (IP) ratings measure a device’s ability to resist the entry of different size solid objects and amounts of liquid. A rating of 65 means that Griven’s outdoor color changers are pretty much impermeable and can be placed in any outdoor environment with no performance deterioration. The Colosseo OS CYM 1000 and the Griven Coloseo OS CYM 1000 HFT (built in wireless transmitter version) are two of Griven’s best IP65 color changers and have been used to light up some of the world’s largest and most impressive structures.

The Colosseo OS CYM 1000 line is seriously powerful; its HQI-TS metal halide lamp produces an amazing 90,000lm at 1,000w. The OS CYM 1000 changers have 3 DMX channels and are fully controllable in stand alone or in master/slave configuration. Griven offers the option of a built in wireless DMX receiver. This is handy because the OS CYM 1000 line is extremely versatile and can be mounted literally anywhere and therefore direct cable connectivity would prove cumbersome. The OS CYM 1000 series comes with the option an IP65 rated universal controller to make sure that not only your color changers can survive the elements, but your controller can too.

The OS CYM 1000 line’s color options are just as versatile as the fixture is itself. Its step motor powered CYM color changer can achieve virtually any color through the mixing of magenta, cyan, and yellow dichroic filters. In addition to nearly limitless colors, the OS CYM 1000s have a built in black out that functions by the closing of all the dichoric filters. The DMX controllable black-out and can be used as another lighting effect for the OS CYM. The Standard beam angle for the OS CYM 1000 and OS CYM 1000 HFT is 35˚ with the option of a 29˚ and 49˚ filter.

If large-scale, long-term, out door color changing lighting is on your horizon then the Given OS CYM 1000 line is the best choice for you. Draw attention to your hotel or nightclub and you won’t be disappointed by the increased attention your business gets thanks to the Griven OS CYM 1000s. The Griven Colosseo line are not the only IP65 color changers they offer, be sure to check out their entire line on our website right now!

LED Scanners: An Illuminating Lighting Effect


Scanners are one of the latest DJ lighting effect technologies to adopt LEDs. In addition to their low energy draw, long life, and durability, LEDs are an ideal bulb technology for scanners because the light is highly directional, thus making the reflected pattern coming from the scanner bright, precise and sharp. LED scanners are available at numerous different price points and can be used in all types of venues from swanky clubs to community centers and churches.

American DJ offers one of the best lines of scanners available. American DJ’s Electra LED scanner is ideal for the mobile DJ or a smaller venue like a roller rink or community center. It is lightweight, consumes little power, and is easily mounted and dismounted, making it easy to move and store if needed. Its simple design and 100,000 life hour rating for the LED light source makes this scanner is not only low cost, but low maintenance too. The Electra LED produces a great moon-flower effect and has multiple sound-activated macros pre-programmed to get your scanner going out of the box. American’s DJ’s XScan Plus LED represents the forefront of LED scanner technology. The XScan plus is DMX intelligent and has 8 channels, giving it the capacity to be controlled with a lighting controller. The XScan Plus can be ran in either in a master/slave or stand alone configuration. One great feature that this scanner has is a pan/tilt inversion mode that, if using four scanners, will make scanners 1 and 3 sync opposite scanners 2 and four, creating a really exciting effect. The XScan features 8 colors plus a separate gobo wheel to give you nearly endless lighting options. This scanner also has an amazing degree of adjustability: between the audio sensitivity knob, the manual focus, and motors for microstepping, you can really make the XScan Plus perform exactly how you want it to.

Obviously between American DJ’s Electra LED and their Xscan Plus LED there are plenty of scanners with different combinations of features and abilities. The scanners featured in this article should give you an idea of what is out there, and what to expect with a top of the line scanner versus a more entry level scanner. You simply cannot go wrong with either; your choice should be dictated by what you need and what your preexisting lighting system can handle. Feel free to leave a question or comment on this article, our Facebook, or call us at 1-877-620-1762 for any remaining questions you may have.

Thursday, July 29, 2010

Dress Up Your Home or Restaurant with CFL Globe and Candelabra Light Bulbs

Globe and candelabra style light bulbs have long been some of the most popular decorative light bulbs. These light bulbs have typically been incandescent, and thus inefficient and not environmentally friendly. Globe light bulbs are typically used in indoor applications where an exposed bulb cannot be avoided or is desired. Globe bulbs are used in bathrooms frequently to surround mirrors in light. This is an iconic image of the mirrors of Hollywood dressing rooms featured in innumerable films. Globe bulbs are also used in outdoor signs and marquees. Globe CFLs are not the brightest of the CFLs, and for this reason they are usually used in applications where using multiple bulbs is possible and/or favorable. Globe CFLs come in a wattage range of 5w to 30w. The color temperatures of Globe CFLs range from 2,700K to 6,500K, allowing you flexibility in applying them in indoor or outdoor applications.

Candelabra CFLs are typically used in sconces, chandeliers, night lights and other fixtures. Candelabra CFLs typically come with medium screw bases making them very easy to replace incandescent bulbs with. For candelabras, color temperature is especially important because they are often place in areas of homes or the restaurant that are important for creating ambiance. Osram and Sylvania offer candelabras with a comprehensive range of color temperatures to help you create the light ambiance you want. CFL candelabra bulbs have another important advantage over incandescent bulbs in that their improved life hour rating means less scrambling up ladders and disrupting delicate sconces to change light bulbs. CFL candelabras have life hour ratings ranging from 6,000hr to 8,000hr, a considerable improvement over incandescent bulbs.

Just because you should replace your incandescent light bulbs with CFLs, does not mean you have to sacrifice your ability to use decorative light bulbs in your home or restaurant. We have catalogs full of decorative globe and candelabra bulbs, check them out today!

The MR16 BAB: A Lighting Industry Favorite

The American National Standards Institute (ANSI) codes stipulate and coordinate standards for products across manufacturers in both the United States and abroad. ANSI codes are particularly prevalent in the lighting industry. Lamps that have a certain ANSI code will usually have identical specifications and construction. Some of the most popular types of bulbs are ANSI coded bulbs. The MR16 light bulb family has numerous ANSI coded bulbs including the ESX, BAB, EXT , and many others. These ANSI coded MR16s will have a specified wattage and beam angle depending on the ANSI code. The MR16 BAB is a particularly popular MR16. It has a 20w energy and a 36˚ beam angle. MR16s light beam is distinguished by a highly directional, sharp beamed spot, making it ideal for display. MR16 BABs come with different bases, including GU5.3 bi-pin, GU10, and GY8.

The MR16 BAB is produced by many light bulb manufacturers including Osram, GE, Philips, Platinum, Silver, Sunlite, and Ushio. The MR16 BAB is typically glass covered to help keep the light beam cool in addition to protecting people from burning themselves on the bulb which can get extremely hot due to the single-ended halogen filament capsule providing the light to the reflector. Though the MR16 BAB is standardized the type of reflector, meaning how many facets and what shape they are, varies. Ushio’s ‘Reflekto’ reflector, for example, features a number of hexagonal facets while other bulbs use rectangular facets.


The ANSI codes are an assurance for the lighting industry and its customers that products are constant. The MR16 BAB is an example of this system at work. Still interested in the MR16 BAB and other MR16 products? Check us out!

Wednesday, July 28, 2010

Cold Cathode Compact Fluorescent Bulbs: Getting the Green Light for Environmentally Friendly Lighting

In the past, cold cathode compact fluoresecent technology has been used in laptop and photocopier displays. Now, the cold cathode compact fluorescent lamp (CCFL) is the latest CFL technology to hit the lighting market. There are numerous important differences between CCFLs and ordinary compact fluorescent bulbs that make them an exciting and interesting new technology. Cold cathode lamps have a much longer life hour rating than CFLs do, they are rated at around 25,000hours which brings their lifespan close to that of LEDs. Another important advantage they have over standard CFLs is that they reach peak luminosity almost as soon as they are turned and they are also almost fully dimmable. The excellent dimming performance of CCFLs allows them to be used with all sorts of dimmers, including digital dimmers which is a first for CFL bulbs.

CCFLs are not without their disadvantages. CCFLs do not produce as many lumens as traditional CFLs and for this reason are not ideal for home interior unless you are planning using them in clusters or are using them in a space in which you do not require that much light. CCFLs produce lumens in the range of 200lm to 1050lm at wattages between 3w and18w. Some household applications of the CCFL have included outdoor and garden lighting in which you are lighting a path that does not require bright illumination. CCFLs are great outdoor light options because they are also very durable. CCFLs have been typically been used most widely in outdoor signs and marquees.

CCFLs are an exciting new fluorescent lighting technology that is already proving to be a great innovation to outdoor lighting and sign lighting. Ushio is the foremost manufacturer of CCFLs and we stock their entire line, check it out today!

Let There Be Light!: A PAR Can Guide for Your House of Worship

Recently the house of worship lighting market has been inundated by options for PAR cans. Although the features of these PAR cans seem to be multiplying constantly, the essential decision for the beginning HOW lighting designer remains the same: should I use a traditional a PAR can or a LED PAR can? This article will discuss the pros and cons of each within the particular context of the church and worship service and hopefully it will help clarify your own thinking on the matter. One somewhat neglected but important aspect of this decision has to do with the church layout itself. Many older churches were not built with lighting systems in mind and can present the problem of mounting lighting systems in easily accessible places. Because of this, some churches may require trusses to be mounted higher up or in a hard to reach place. If this is the case, you may want to consider LED PAR cans. LED PAR cans have a much longer life hour rating (30,000hr – 50,00`0hr) than traditional par cans. Furthermore, LED PAR cans do not require the replacement of color gel filters. In short, if your PAR cans are hard to reach for maintenance, it is best that you get one that requires as little as possible.

LED PAR cans are not always the best choice for the situation. If your church worship service features musical acts using fog or smoke machines, you may want to consider traditional PAR cans. LED PAR cans are not quite as bright as incandescent PAR can lamps and sometimes lack the punch to cut through the fog and get the most out of the lighting effect fog machines yield. If there are LED PAR cans mounted up-stage to illuminate the audience, the flicker of the LEDs, if there is indeed one, and the sight of the individual bulbs rather than a coherent light source may be distracting. Some LED PAR cans, particularly lower end ones, may flicker on camera as AC current modulates and the LED lamp cycles, producing flickering perceptible by video cameras. For this reason, if you videotape or plan on doing so, you may want to determine how high end a LED PAR can you can afford, as any flickering in your recording will probably ruin your recording. To get the most out of your lighting system, you may consider choosing a combination of traditional and LED PAR cans. This will of course depend upon your lighting and personal priorities.This also presents its difficulties, as much matching color and light quality between the sources can sometimes be difficult. If you are willing to sacrifice lighting performance for a greener lighting system, you may opt for a complete LED system.

Like most important questions, there are no simple answers and more often, there really isn’t an answer at all. When it comes to choosing between LED and incandescent PAR cans it is best to know the limitations of each technology so you plan accordingly and use one’s advantages to compensate for the disadvantages of the other. BulbAmerica has both traditional and LED PAR cans to make your choice that much easier, be sure to check us out!

Tuesday, July 27, 2010

The MSD250: The Best Lamp for Entertainment Lighting

The MSD250 is one of the most widely trusted lamps in theatre, studio, concert, and projection lighting. The MSD250 is a single ended metal halide high intensity discharge (HID) lamp with a GY9.5 two-pin prefocus base. The lamp’s 5mm arc produces a powerful 180,000 lumens and has an impressive life hour rating of 3,000 hours. The MSD250 has proven a popular choice by manufacturers of intelligent lighting fixtures, or automated moving heads, including American DJ, Elation Professional, and others.

Though the Philips’ MSD Broadway series is the most widely recognized line of lamp products like it. Manufacturers including Osram (HSD series) and Platinum, and Silver offer alternative lamps to the Philips MSD250 Broadway that are similar in performance and light characteristics to the MSD250. Platinum and Silver’s MSD250 replacement bulbs have near identical performance to the Philips MSD, but are priced far more reasonably, making them affordable to more venues. Platinum’s MSD replacement is listed at $99.99 and Silver’s is listed at $77.50, compared to Philips MSD250’s price $124.02.
We have the entire MSD Broadway lamp line as well as a comprehensive inventory of MSD replacement bulbs. Check it out!

The Time for Change Has Come: RGB LED Color Changers


Platinum has made getting exciting RGB color changing much easier for smaller venues like restaurants, bars, coffee shops, lounges, and other spaces. Platinum’s line of RGB color changing LED lamps come in medium E27 socket, MR16, and GU10 bases to give you maximum flexibility where you can utilize the bulbs and in what types of fixtures. Platinum’s RGD color changing lamps feature SMD color changing technology that allows you to change between an amazing 16 different colors. Platinum’s RGB lamps feature the performance benefits common to all LED light sources. Platinum’s LED lamps feature a 35,000 life hour rating and an energy draw of only 5w.

Platinum’s RGB lamps have excellent display abilities. Their 60 beam angle and their auto-flash and fade programs will allow you wash whatever it is you are illuminating in a bright, flat, and dynamic light. Platinum offers a great package that includes the four lamps and a remote control. The remote control, though small, can fully manipulate the color patterns of the lamps as well as perform basic functions like dimming and turning the lamps on and off. The package also comes with four PAR16 cans which are ideal for mounting the LED lamps and illuminating precise spaces like tables or the DJ booth.

The Platinum LED lamps and package allow you a formidable yet simple lighting system at a great price. The LED bulbs’ long lifespan and durable construction ensure that you will be able to set up your lights and never have to maintain them or change the bulb. Platinum’s RGB color changing lamps are low cost, low maintenance, low energy, and highly attractive—pick up yours today!

Monday, July 26, 2010

HPL Lamps: A BrightLighting Option for TV and Film Production

High performance lighting (HPL) light bulbs have been one of the most important technological innovations to hit halogen lighting. They were first developed in the 1990s by ETC, in tandem with the development of the Source Four ellipsoidal reflector lamp for the stage lighting and TV/movie production industries and continue to be used in them regularly. HPL lamps are called ‘Source Four’ because they feature four compact tungsten filaments. More recently, long-life HPLs have been developed. Long life HPLs have a longer life hour rating than normal halogen bulb and older HPLs, being able to last up to 1,500 to 2,000 hours as compared to the 200 to 400 hour rating of standard HPLs.

Among the most common HPL bulb is the HPL 575w lamp, or the HPL575. The HPL 575 has a lumen output range of roughly 12,000lm to 17,000lm, giving it a solid luminous efficacy rating. An important consideration in using, or deciding to use a long life HPL versus a regular HPL is that long life HPLs have a reduced color temperature compared to regular HPLs. Long life HPLs typically have a color temperature of 3,050˚K versus the high 3,250˚K color temperature of regular HPLs. One limitation of halogen bulbs is their inefficiency through their production of large amounts of heat. High amounts of heat also place stress on the bulb and likely contribute to bulb failure. HPLs feature a metal or ceramic heat sink base which reduces much of the heat produced by the bulb.


HPL 575 lamps are one of the go-to bulbs in film and TV production today. They are most often found inside ETC Source Four ellipsoidal fixture, as they were engineered to work them specifically. Regardless of this fact, HPLs continue to be extremely popular and produce a tremendous amount of light while maintaining excellent color rendering. If you are currently looking for a bulb for your film and production needs, look no further than HPLs
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Get the Most Out of Your Lighting Fixtures with Optima's Floor Stand


Though you may be used to seeing your PAR cans hanging above your head, it doesn’t mean they have to be. Optima’s Floor PAR Can Stand allows you to get more out of your PAR cans or other lighting effect units. By mounting the yoke of your PAR can or other lighting effect fixtures to the stand, and then securing it using the provided bolt and hexagonal nuts, you can experience your lighting in a whole new way. By floor mounting your PAR can, you can provide your stage or other event with the benefits of the smooth and even light of your PAR cans in a wall-washing, up-lighting, or accent lighting capacity. The mounting stand is a useful tool for all production houses and churches, but it is especially handy for smaller or traveling venues and DJs that are looking to maximize their lighting options while using a minimum of lighting fixtures.

Optima’s floor lighting stand will fit PAR 36, PAR38, PAR46, PAR56, PAR64 cans and will support any fixture under 15lbs. Its steel construction and simple design make this stand extremely durable and great for being taken on the road. Get more out of your PAR cans and other lighting by getting an Optima floor stand, your audience will thank you for it!

Friday, July 23, 2010

Moving Head LED Washes: A Head Turning Technology


LEDs and moving heads, two relatively new technologies to hit theatre, concert, and church lighting, have come together to revolutionize automated, or intelligent stage lighting. There are numerous moving head fixtures that provide various types of light and beams. Automated LED washes are particularly useful for setting the ambiance of your performance, worship service, or concert. LED moving head wash lights throw an even and diffuse light with a soft edge and can quickly change the mood of the show by alternating colors. The Elation Professional Design Wash LED Pro and the Chauvet Legend 6500 represent the cutting-edge and top of the line in LED moving head washes.

The Elation Wash LED Pro has 108 3w Rebel LEDs (52 red, 22 green, 22 blue, and 12 white), rated at 50,000 life hours, and is capable of mixing of many different saturated colors. The Elation LED Pro comes with a 39.5˚ beam angle, and produces 8,850lux on full at 3m. Though Elation’s Wash LED Pro is not the brightest, it is certainly one of the smartest and comes with some very useful features. The Wash LED has numerous built in color, strobe, and dimming macros to give your performance flair right out of the box. This automated wash comes with a built in EWDMX receiver for wireless DMX control, an extremely helpful feature if your lighting system is mobile or you are trying to cut down on the number of cables you use. The Elation Wash LED Pro’s silent movement coupled with its wide range of mobility (630° or 540° Pan X 265° Tilt) makes it a valued, versatile, and lively part of any lighting system.

The Chauvet Legend 6500 has 90 2-5w LEDs (18 red, 24 green, 24 blue, and 24 white), all of which are rated at 50,000 life hours. The Legend 6500 produces an amazing 14,780lux at a 2m at a beam angle of 12˚, thus producing a vibrant and exciting light. The Legend 6500 has an outstanding degree of usability. The LCD screen with password protection, an ability to select between basic and advanced operating modes, and a safeguard to restore the Legend 6500 to factory settings ensures the fixture’s smooth functioning. Chauvet’s Legend 6500 three or five pin universe option will allow you control and flexibility in your system control options.

Elation’s Wash LED Pro and Chauvet’s Legend 6500 are fantastic automated LED wash lights. These two LED moving head washes, in addition to fantastic performance and usability, come with the benefits that all LED products do, namely low energy draw with high lumen output. BulbAmerica has both of these moving head washes in addition to a huge selection of LED products. Interested? Check us out now!

Out of the Fog: A Fog Machine Guide for the Perplexed

Fog machines have long been one of the most popular effects in theatre and stage lighting. Fog not only sets ambiance, but it can also be used to emphasize lighting and laser effects as they pass through it. There are many fog machines with diverse specifications and features to choose from. This article is aimed at helping you sort through some of the product information and eventually choose the fog machine right for your needs. You will immediately notice that fog machines come in a wide price range, from about $38 to $1,400. The low-end fog machines are separated from the high-end fog machines by level of fog output (cu. ft./min), heater power, rate at which the machine heats, machine quietness, and other criteria. You should note that although fog output is one of the central criteria in fog machine specifications, there is no industry standard for this measurement: different manufacturers measure this differently and thus making a decision based on this spec alone would be premature.

Fog machines work by heating up the ’fog juice’ (often a mix glycerin or glycol mixed with water) and thus produce fog. Higher end fog machines have heating systems that heat up at faster rate. The Elation 800w Portable Fog Machine, for example, heats up in only 100 seconds. Fog machines with fast heat up feature stainless steel or nickel-aluminum alloy to ensure rapid and efficient heat transfer. Higher end fog machines will also have DMX universes so that they can be controlled remotely by a lighting controller and integrated into a larger lighting system. In addition to rapid heating-up, higher end fog machines, like Optima’s Lighting Blizzard, will feature fine tuned fan systems that are nearly silent and are ideal for noise sensitive events.

Low end and high end fog machines are also differentiated based upon the quality of the fog they produce. High end fog machines produce fog with a perfect haze of fine-particles that is also low in residue and thus requires less cleaning than a lower end fog machine. The dense and low hanging fog of dry-ice fog machines has long been the industry standard for fog. Dry ice fog machines, due to the difficulty in handling dry ice, have been replaced with fog juice based fog machines. Therefore machines that can replicate dry ice fog, like the Elation Low Lying Fog DMX Cooler, are often more expensive because they require additional technologies to ensure that the fog is adequately cooled after it is heated so it can hang low.

There are many fog machines out there with many different capabilities and features. Check out our comprehensive range of fog machines and see for your self how they differ. BulbAmerica stocks many different fog machines at many different price points so whatever you determine you need, we have it!

Thursday, July 22, 2010

Griven Promotional Projectors Bring Your Venue To Life

Promotional projectors are great for projecting images on buildings or most other surfaces for your trade show, outdoor or indoor event, exhibitions, or concerts. They are a great way to advertise and get people excited about your attraction on a large scale. Promotional projectors are typically powered by powerful high intensity discharge lamps (HID). The Griven Pro-Motion 1200 projector uses either a 1,200w Osram HSR bulb or a 1,200w Philips MSR bulb. Both bulbs are metal halide based with life hour ratings of 1,000 hours and 800 hours respectively. The Pro Motion 1200’s big brother, the Pro-Motion 2000 uses a 1,800w 160,000lm HTI lamp, which is known for its power and brilliant light. Aside from the difference in lamp, the Pro-Motion 2000 features a 9fps strobe and blackout which the 1200 lacks.

Griven offers a wide range of products to maximize the efficacy and tailor your Pro-Motion 1200 or Pro-Motion 2000 to your needs. To add further color capabilities to your promotional lighting try Griven’s Pro-Motion color-changer. For the Pro-Motion 1200, you can install the Griven film scroller module for 6cm X 7cm film, allowing you to feature film strips in your outdoor or indoor projection. There are also numerous lens options, from the Pro-Motion slide zoom to Pro-Motion narrow beam lenses, Griven provides you with what you need to change the quality and size of the projected image quickly and precisely. Griven has numerous modules for both Pro-Motion projector models, allowing you nearly endless projection possibilities. Check them all out today!

LED Flood Lights: A Perfect Fit for Environmentally Friendly Lighting

As the demands for environmentally friendly lighting solutions continue to increase, consumers are looking for green light bulbs to retrofit their existing halogen and incandescent fixtures with. Flood lights especially are an important market for green light bulbs because typically they use incandescent and halogen lamps, both of which are among the most inefficient light bulbs. Recently, manufacturers including Optima, Osram, and Silver have designed E27 and E26 medium screw base LED bulbs to replace halogen and incandescent floods while utilizing their preexisting fixtures. As with all LED lamps, these LED floods are extremely efficient and have excellent luminous efficacy. Osram’s PAR 30 13w LN bulb is intended to replace a 50w halogen flood. This bulb, along with many other LED bulbs, has a 50,000hour life hour rating.

One important advantage that LED floods have specifically over incandescent and halogen floods is that they remain cool during operation and have cool beam bulbs. Halogens produce large quantities of heat, thus presenting a hazard to small children who may touch the bulb or in some cases a fire hazard. LED bulbs generate close to no heat and for this reason are safer and much more efficient than halogen floods. The cool beam of LED flood lights will allow you to use flood lighting in more environments than halogen bulbs, including high-end retail lighting, accent/display lighting, and other display environments where a warm or hot light can not be used because it could damage whatever is being illuminated.

Of course like most LED technology today, LED floodlights are more expensive than halogen or incandescent bulbs. This is only a temporary situation, and moreover, the savings on your energy bills, replacement bulbs, as well as peace of mind, make LED floodlights a wise and thoroughly green investment for your home, office, or business. Check out what we have to offer today!

Wednesday, July 21, 2010

Followspots: Make Your Performance Stand Out Today

The followspot is an essential light fixture to any theatre or church’s lighting arsenal. The followspot is crucial to directing the attention of the audience and emphasizing certain actions and characters. Today, followspots are technologically advanced and come with numerous options and features which can seem intimidating and bewildering. This article will serve as a guide to followspots that will hopefully help you make an educated decision regarding which followspot is right for you. One of the most important specifications you will want to pay attention to in selecting a followspot is the throw distance, or the distance that the follow spot should be from the stage in order to provide an optimal spot. To determine what throw distance you need, you measure the distance from where the follow spot will be situated to the stage, or area on stage, where followspot illumination will take place. Generally, for small venues such as small churches and theaters, a follow spot with a throw of 25ft to 100ft is sufficient. Time Square Lighting’s 410FS has this throw rating and is ideal for smaller venues. Larger venues will generally require a follow spot with a throw distance of 200ft or more. Time Square Lighting’s MOON 1200 is ideal in larger venues with substantial distances between the spot and the stage.

Throw distance is not the only specification you will want to pay attention to when choosing a followspot. The point of the followspot is to highlight a certain character or action onstage against whatever else is taking place, this means that the spot of light must stand out against whatever other light, if any, is present on stage. You therefore must ensure that you select a followspot that can support a lamp that will be powerful enough to cut through the light provided by your existing lighting system. You’ll also generally want to have a sense of how bright you want your spot to be. To determine how powerful a lamp you’ll need, you should look for center beam candle power (CBCP) or foot-candle (lm/ft2) specs rather than wattage. This is because followspots and lighting system fixtures (PAR cans, Fresnels, Ellipsoidals, etc.) use different bulb types. Followspots typically use some type of high intensity discharge (HID) bulb whereas a PAR Can or ellipsoidal may use a incandescent, halogen, or even LED bulb. Comparing the wattages of different bulb types would therefore prove misleading. CBCP, which measures the intensity of the light in a specific direction at the center of the beam, and foot-candles, which is the measure of the amount of light that falls upon a surface, are the most helpful measures and should be consulted.

Lastly, followspots come with many features which may determine your followspot depending on your lighting demands. Some followspots come with effects like gobos, dichroic color filters, iris adjustment, blackouts (dousers), and dampers. Manufactures like Chauvet also offer automated follow spots, which use DMX512 protocol and connectivity to control its panning, tilting, color, etc. with a controller. Whatever specifications you need, BulbAmerica has a comprehensive line of followspots and has one to suit your demands. Check us out right now!

The Future Looks Bright with T8 and T5 Fluorescent Tube Lights

Fluorescent tube lights have long been a lighting staple in offices, grocery stores, and big-box stores. For a long time T12 fluorescent tube lights have been used, unfortunately they proved rather inefficient and quite large and thus difficult to install and maintain. Recently T8 bulbs have become popular and have proved to be a smaller and more efficient alternative to its oversize predecessor. T8s are quickly becoming the industry standard for fluorescent tube lighting. The T8 is 1in in diameter, compared to the 1.5in diameter of T12s, and produces more light with greater lamp efficacy than T12s. Although luminosity fluctuates depending on manufacturer and bulb model, generally speaking T8s range from 30w to 50w and 2,650 lumens to 3,200 lumens. Generally speaking, T8s range in price from $1.75 t0 $2.50.

Much has been written on the differences and advantages, or lack thereof, of T5s over T8s. Rather than make a definitive conclusion on this issue, the differences between T5s and T8s will be enumerated so you can make an educated decision on which bulb fits your needs yourself. The fundamental difference between T5s and T8s has to do with the tube’s size. T5s have a diameter of 5/8in and are smaller than the 1in (8/8in) T8. T5s are typically more efficient than T8s. TFs have a luminous efficacy of 103lm/w compared to the T8’s luminous efficacy of 92lm/w. Both the T5 and T8 are much more efficient than the larger T12, whose luminous efficacy is 78lm/w. Put in slightly different terms, the T8 is 41% more efficient than the T12 and the T5 51% more efficient than the T5. The superior luminous efficacy of the T5 does not guarantee better performance than the T8. A poor quality T5 will be outperformed by a high quality T8. Furthermore, T5s are typically more expensive than T8s with a price typically ranging from $5.50 to $10.50. Another consideration that you’ll want to make is that a T5 will not fit into the more common T8’s light fixture 


Therefore you will either have to buy new fixtures for your T5 or purchase retrofitting kits. Though these kits are not very expensive, it is certainly a variable you’ll want to consider. You may also have to replace your lamp ballast which will be another expense you may encounter. Generally, T8 ballasts are less expensive because they are an older technology that is more widely produced by manufacturers and wholesalers. This will likely change over time, however T8 bulbs, ballasts, and fixtures are presently less expensive.

With regard to color and light quality, there does not seem to be a substantial difference between T8s and T5s. Both T8s and T5s typically have a CRI of 85 and have similar luminosities. There is no right answer when it comes to choosing between T8s or T5s. The essential question to ask yourself in making your decision is whether the additional energy savings of the T5s justifies the higher costs of the bulbs, ballasts, and fixtures. Regardless of whether you choose T5s or T8s, you will be saving energy and money. Luckily BulbAmerica has both T5s and T8s in stock to give you the most flexibility. Check them out now!

Monday, July 19, 2010

The Empire State Building Lights Up the Night and Goes Green Too

The Empire State Building at night is the crown jewel of the New York City skyline, and is perhaps the most famous city skyline in the world. The Empire State Building’s illuminated top is iconic, it’s image among the most well known images of any building at night. The Empire State Building, which was completed in 1931, had its first light, a searchlight, placed on top of it in November of 1932 to celebrate the presidential victory of Franklin Roosevelt. It became a nighttime beacon in 1964, with the installation of floodlights on the top 30 floors of the building. Color lights were first installed in 1976 for the United States’ bicentennial, illuminating the building’s tower with red, white, and blue. In 1977, additions to the Empire State Building’s exterior lighting were made, creating the iconic image which we are familiar with today. The installation included 207 metal halide high intensity discharge (HID) lamps and 304 fluorescent lamps illuminating the building from the 72nd floor to the base of the TV tower. The last addition to the building’s lighting took place in 1984. An automated lighting system, which included 880 vertical 75 watt fluorescent tubes and 220 horizontal fluorescent tubes were installed on the upper portion of the TV tower mast. The horizontal bulbs are organized into different panels and produce green, blue, yellow, and white lights, thus creating the lighting displays you see today.

Though the Empire State Building’s exterior lighting has not been changed since the 1980s, the interior lighting underwent substantial greening in the spring of 2009. The Empire State Building contains 3,194,547 light bulbs, so developing an environmentally friendly lighting solution for the building’s vast light system was a challenge. The $100 million dollar greening project included the replacement of old incandescent light bulbs with more energy efficient ones as well as the installation of motion detector systems to only light rooms when they are occupied. These energy efficient renovations, including lighting renovations, are projected to cut the building’s energy consumption by 38% and save it $4.4 million dollars annually.


BulbAmerica
has ideas and products to help you go green too! Check out our blog and our website for ideas and products to save the environment, energy, and help you spend less on energy. Go green today!

Friday, July 16, 2010

The Beam Team: Single Beam and Multi-Beam Searchlights Reviewed

Searchlights are an important tool to draw attention to your business or event. Potential customers can spot your searchlight from miles away and follow it to your showroom, campus, concert, or celebration. Luckily, there are numerous options for searchlights, and we will go through some of them here so you can make an educated decision regarding which searchlight suits your needs. In choosing between searchlights, the first decision you should make should regard what kind of effect you want, namely whether you want a single beam of light or multiple beams. Single beam searchlights, like Griven’s Imperial Xenon 4000w, feature a single narrow beam with a 1° beam angle. Some single beam searchlights, like Griven’s KolorGlobe Xenon 7000 feature an electronically adjustable beam angle that can fix the beam angle between 1.5° and 15°. Griven’s multi-beam Sky Rose MK2 features a wider beam angle, at 28°. Both types of searchlights are suitable for the same purposes, it is really a question of preference. A single search light will shine one beam with some capacity to pan and tilt. The Griven Imperial can pan and tilt 50°. A multi-beam searchlight like the Sky Rose MK2 will project a bouquet of 25 beams. Multi-beam searchlights often have an ability for more movement than single beam search lights. The Sky Rose has a can pan of 180°, a built in 1FPS strobe, and preset rotation capabilities. Generally, single beam searchlights have more luminous beams than multi-beam search lights because the power must be distributed evenly between many beams versus just one.

The central question in choosing between searchlights is how you want to draw attention to your business or event. A multi-beam search light is a bit flashier than a single beam searchlight and would suit events such as concerts better than an automobile showroom. Multi-beam projectors often cannot be linked through master/slave, so this should be another consideration in choosing between single or multi-beam searchlights.

No matter what type of searchlight you end up choosing, Griven has the one for you and at a number of various price points. BulbAmerica stocks all of them to give you the most flexibility in your choice. As always, the Lighting Specialist and BulbAmerica customer service experts are standing by to help you with any additional questions you may have. The search for great searchlights is over: check out what BulbAmerica has to offer today!

Halogen Bulbs: Burning Bright and White for All Your Needs


Halogen bulbs have long been popular in the home, for outdoor flood lights, automobile headlights, airfields, and many other applications. They are used as alternatives to normal incandescent because they are longer lasting and burn brighter. In a normal incandescent bulb, the filament heats up and produces light as a byproduct of the heating process. As the filament heats up, however, it degrades as its atoms are released into the glass envelope. Halogen bulbs solve this problem. When halogen gas is placed inside the glass envelope, it replenishes the degraded filament. This occurs due to a special property of the halogen gasses. As the halogen gas heats up, it replenishes the filament by depositing the filament’s lost atoms on its surface, thus making the filament’s and the bulb’s life longer lasting through what is called a halogen cycle.

Halogen bulbs are available in a vast range of wattages, from about 5w to 20,000w. Halogens have a correspondingly wide range of lumen output. Halogens come in nearly every socket type available, making them useful in nearly all types of fixtures. The versatility of halogen bulbs is matched by their excellent light quality. Typically, halogen bulbs have a CRI score of 100, meaning their color quality is near identical to that of natural sunlight. Generalizing about halogens is difficult because there are so many different types, brands, wattages, etc. The most common types of halogens out there include the A-line, the halogen PAR, and the bi-pin multifaceted reflector (MR) halogen. A-line halogens look like regular incandescent bulbs and can screw into any socket that an incandescent bulb can. The exterior envelope of the A-line is not actually the bulb; the halogen bulb is actually inside it to ensure protection full the bulb and a cooler bulb exterior. The halogen PAR is a standard PAR can bulb with a tungsten filament, but has its atmosphere filled with a halogen gas. The MR halogen is a small bulb with a concentrated beam perfect for down lighting and track lighting.

Although halogens are more efficient than normal incandescent bulbs, they are not nearly as efficient as CFLs or LEDs. Halogens waste a lot of energy generating heat, and thus get extremely hot and can pose a burn and fire risk. Halogens should always be used with caution and not placed in an area in which a child may touch them or where they could pose a risk of fire. Despite these risks, halogens are safe and effective lights provided they are used carefully. Halogens should be considered if you need bright, white light. We have tons of halogens, check them out today!

Thursday, July 15, 2010

Outdoor Color Changers: Lighting Up Where You Need Them


Color changers today are capable of illuminating some of the world’s largest structures in vibrant light. In recent years the pyramids of Giza and the Eiffel Tower have been bathed in rich light and saturated colors. Even more amazing, is that Griven, one of the world’s chief suppliers of outdoor color changers has been behind most of these vast lighting projects. The Griven MK3 Kolorado and MK4 Kolorado color changer series are some of the most popular lines of outdoor color changers. Eighty MK3 Kolorado 2500s were used to illuminate the pyramids of Giza in a spectacular display of pink, green, magenta, and blue.

T
he 2,500w MK3 2500 produces an awesome 240,000 to 260,000 lumens with a beam angle of 62°. You have the option of a narrow lens and wide B-hive lens to give you more beam angle flexibility. The narrow lens has a 34° beam angle and the B-hive a 93° beam angle. The color changer’s luminosity and spread allow its light to cover large structures with flat, even, and rich color. The MK3 2500 uses a 2,500w hydrargyrum medium-arc iodide (HMI) lamp, and is more powerful than its 1,800w predecessor, the MK3 1800. The MK3 2500’s power is matched by its versatility. The color changer features a powerful mechanical strobe as well as separable ballast that can function up to 25m from the lamp. This means that the color changer can be hung, or placed in a space where weight and fixture size are a concern.


All of Griven’s Kolorado series color changers have an IP rating of 44, making them suitable for almost every outdoor environment. The Kolorado color changers all feature an aluminum and galvanized steel body, coated with black epoxy powder to ensure that their housing protects the powerful lighting and electronics inside. The power and durability of the MK3 2500, and the Kolorado color changers in general, make them one of the most popular choices in outdoor color changers. It is for these reasons that when one of the world’s largest structures needs to be illuminated, lighting designers turn to Griven.


We stock all of the Kolorado color changers, check them out now!

New Labeling for Light Bulb Packaging in 2011


By mid-year 2011, the Federal Trade Commission will institute new packaging for light bulbs. The new packaging is modeled after the nutritional information tables found today on the back of food packaging. Light bulb packaging information will be divided among two panels. The front panel will feature information regarding energy cost and brightness while the back panel features the same information plus more technical information on color and toxic elements. The new light bulb packaging will clearly indicate light bulb brightness, energy cost, life hours, color temperature, wattage, and whether the bulb contains mercury or not. The Federal Trade commission is putting the new packaging in place to make light bulb purchasing a less confusing process, and to make the industry overall more consumer friendly. Traditional light bulb packaging has emphasized wattage. Wattage does not, however tell you anything about the color of the bulb, whether it contains toxic elements, or how many life hours the bulb has.

More importantly, the FTC’s revision of light bulb packaging will highlight the information most relevant to energy expenditure and factors concerning environmentally friendly light sources. The new packaging has producers of energy efficient light bulbs particularly excited because the new packaging will openly display the benefits of energy efficient bulbs. The long life and small energy draw of LEDs, for example, will be made clear to all consumers. The lighting costs feature will allow consumers to calculate how much money they will spend illuminating their homes. In general, the push to include more information on light bulb packaging is advantageous because it encourages consumers to further educate themselves about how light bulbs work, how they can work better, and what their options are.

Keep your eyes peeled for the new labels in the coming year and we’ll keep you posted!

Wednesday, July 14, 2010

Great Options for LED Lighting Effects Are Here



A DJ’s performance is a spectacle of not only of sound, but also sight. The DJ’s lighting is essential to creating an environment where the music can come alive and entertain the crowd. Derby effect lighting is one of the most popular types of lighting effects in the DJ’s arsenal, and with the application of LEDs to these lighting effects, their lights are that much more powerful. Two lighting effects fixtures are particularly exciting. Chauvet’s Kinta X and American DJ’s Shooting Star LEDs are two of the brightest stars in DJ lighting and whose features will be highlighted in this article. Both the Kinta X and the Shooting Star LED use LED bulbs, allowing these fixtures to light up and switch colors incredibly quickly while remaining cool. These lightweight and high power fixtures both provide overall great lighting performances, but they do have some key differences.

The Chauvet Kinta X features a huge beam angle of 135°, and at only a power draw of 24w, the Kinta X will make the dance floor bright while not using too much power. One of the best features of the Kinta X is its ability to be not only linked up via master/slave, but it can be directly linked to Chauvet’s LED Mushroom and Double Derby X and then mounted together in a vertical column via Chauvet’s XBRACKET. The Kinta X’s various light programs and strobing patterns make it a lively addition to your DJ lighting set up.

American DJ’s Shooting Star LED has a slightly smaller beam angle, 112°, than the Kinta X. The Shooting Star makes up for this with American DJ’s TRI Color LED technology. Fixtures outfitted with this technology feature a 1 X 10w 3-in-1 RGB LED cluster. By having the fixture’s LED consolidated in a cluster, exciting colors such as cyan, yellow, white, and purple can be created through the mixing of colors. The Shooting Star achieves amazing colors using only a maximum of 20w. Like the Kinta X, the Shooting Star features a ¼” input for optional remote control to avoid using extra wires. Remote control is especially useful for the DJ on the go who has limited space, or installing a lighting system in a room with limited space. The Shooting Star is slightly larger than the Kinta X, weighing 9-lbs and being 12”x9.25”x11” versus the Kinta X, which weighs 6-lbs and is 11.1” x 11.7” x 10.4”.

For a derby lighting fixture, either the Kinta X or Shooting Star LED is a fantastic choice. Luckily BulbAmerica has both, giving the most options and at a great price. Check it out!

PAR Cans, Fresnels, and Ellipsoidals, Oh My!: A Guide to Stage Lighting Fixtures


When selecting luminaires for your stage, theatre, or concert venue you are immediately confronted with choosing between three essential fixtures: the PAR can, Fresnel, and Ellipsoidal. Though many websites and magazine articles will tell you that these fixtures are important, few will tell you how they differ and in what applications they are best used. The PAR can is probably the most recognized fixture in theatre lighting. Its parabolic shape and metal housing make it a common sight hanging from a truss system in a theatre. LED PAR cans are also becoming common. PAR cans are known for their intense beams, and if used with a colored gel, deep and saturated colors. PAR cans are used when flat light with soft edges is required. The wide variety of PAR can beam types available make the PAR can’s application in the theatre production very versatile.

The Fresnel is often rectangular and is distinguished by its unique lens and interior track for the bulb. The Fresnel lens consists of a series of concentric circles on the lens’ exterior to allow the light it transmits to travel further. The inside, or back of the lens is pebbled to aid in collecting the emitted light and focusing it. Inside the Fresnel can, the bulb is mounted on a track that slides back and forth, allowing you to change the bulb’s distance from the lens. This feature enables you to change the beam angle from a more spotted beam as the bulb is toward the back of the can to a flooded beam as the bulb is near the lens at the front of the can. Like the PAR can, the Fresnel’s beam is soft-edged. The Fresnel does not have as a large a throw however, and is used in the theatre primarily for general illumination where beam shape is not important and backlighting.


The ellipsoidal, or ERS or Leko, is another common theatre light source. Ellipsoidals have a well-defined beam of light that is focusable using the can’s focus knobs and adjustable barrel to adjust the beam edge. Ellipsoidals often feature a gel frame and template slot for gobos, making it a versatile lighting choice for spotting and the placement of discrete patterns on stage. There are many choices for ellipsoidal bulbs so you have many options for beam angles and many options regarding where in theatre you will position your Ellipsoidal. There are also a number of LED and plasma Ellipsoidals currently manufactured and surely more will appear on the market as alternative bulb types to the incandescent are developed.


Hopefully this guide has shined some light on the differences between PAR cans, Fresnels, and Ellipsoidals and will help you make an informed decision regarding your own lighting system. As usual, contact our experts or add your questions to the comment box of this article if you have any. Good luck!

Tuesday, July 13, 2010

LEDs Make a Splash in Pool and Poolside Lighting


The summer has arrived and once more the swimming pool has probably become a prominent location at your home or business. Swimming pools are naturally illuminated during the day, however at night they are often left unlit. With the proper lighting, the swimming pool can be an attractive evening lighting attraction. Optima’s brand new 17w PAR56 RGB color mixing LED lamp is designed specifically for swimming pools and is an outstanding lighting option. The PAR56 LED has 252 LED bulbs and four color changing patterns to turn your pool into an oasis of light and color: a single color change mode, a switching color change mode, a fading color change mode, and solid color mode. These modes can be controlled with an easy-to-use RF remote control, allowing you to regularly change your swimming pool’s look. Like all LEDs, Optima’s PAR56 LED has a long lifespan at 20,000 rated hours. If there is a lip above the water in your pool, you can use a LED strip light to add a band of light around the edge of your pool. Optima offers numerous RGB waterproof strip light packages. These strip lights are protected with a silicon coating and come in 150 LED bulb and 350 LED bulb versions.

Illuminating the pool itself is one way to add flair to your night time home lighting. Lighting the area around the pool is another way to add dimension depth to your pool area. If you have plants, statues, or rock arrangements surrounding your pool area, draw attention to them using uplighting. LEDs are great for uplighting and come in a variety of colors. MR16s are also a good choice for uplighting given their concentrated beam. You may want to surround your pool with electric lanterns or torches. Cold cathode compact fluorescent bulbs and LED bulbs are good choice in these applications given their durability and long life. Lanterns and torches often house the bulb in either a clear glass housing or a frosted glass housing. For the most appealing light in a lantern application, you will want to match a clear glass lantern with a clear glass bulb and a frosted lantern with a frosted bulb. Lanterns and torches, in addition to providing attractive lighting, make your pool area safer for your family and friends or patrons of your business.


Your pool and pool area should not be left in the dark as the sun goes down. There are numerous bulbs available for the lighting of your pool area. The basic considerations you should make in selecting a bulb are whether or not the bulb will be long lasting and durable in an outdoor setting, and how the bulb will perform in the specific application you envision for it.

An Introduction to Dimmer Packs



Dimmer packs are a key component to any lighting system. The dimmer pack is a series of dimmers that lowers and raises the voltage allotted to a particular light source, thus raising and dimming the light source. It is important to realize that dimmers do not dim lights by themselves, they must be controlled by a console. All dimmer packs, whether portable, lightbar, or rack-mounted share basic features. All dimmer packs have outputs, or outlets that power the fixtures they are dimming. The most common output is the Edison dual socket. Dimmer packs have a specific number of channels, of which correspond to a specific piece of lighting equipment. All dimmer packs have a maximum wattage per channel. For portable dimmer packs, the typical per-channel wattage is either 600w or 1,200w. In order to protect the lights and the dimmer pack from short circuits and irregularities in electrical flow, all dimmer packs are outfitted with fuses or circuit breakers to safeguard the lighting system. The more complex dimmer packs have multiple output options, the Lightronics R-series rack-mounted dimmer pack has the option of Edison dual sockets, terminal strips, a patchbay, or two socapex outputs. Some dimmer backs also have outputs for less conventional lighting options, like LED rope lights. All dimmer packs also have a male and female XLR jacks, or universes. The XLR jacks allow you establish a connection between the controller and the dimmer pack, or set up a daisy-chain of dimmer packs. In order for the dimmer pack to communicate with the controller or other dimmer packs, the dimmer pack will have either a DIP switch or an LED display and controls to designate which channel on the controller the dimmer pack will occupy or what position in the daisy chain the dimmer pack has.

Like theatre lighting technology at large, dimmer packs in the recent years have seen some remarkable technological innovations. Lightronics offers a wireless dimmer pack that replaces XLR wire connectivity with a wireless system in which the dimmer pack can communicate with the controller at up to 4,000ft feet away. Some dimmer packs also have more features directly on the dimmer pack itself including dimming curve selection and built in chases. The use of a LCD display in place of a DIP switch allows the dimmer packs to be more easily used and adapted to more purposes other than dimming.


Hopefully this article has given you the basic information to pick out the dimmer pack best for you. Be sure to check out our comprehensive dimmer pack offerings and packages today!

Monday, July 12, 2010

Griven Lights Up in India and Across the Globe


The Sat-Chit-Anand Water show at the Swaminarayan Akshardham complex in Gandhinagar, India is one of the world’s largest and most impressive light and water shows. The show tells the story of Nachiketa, a boy who courageously faces the god of death, Yamaraj. The epic tale of Nachiketa demands lighting that can convey the adventure and excitement of this myth while captivating the audience. It was therefore to the lighting experts at Griven that the show’s producers, BAPS Swaminarayan Sanstha (BAPS) turned. The 130-ft wide and 60-ft tall water-screen that the show would be projected upon required powerful lighting fixtures and bulbs and saturated, exciting colors that would capture the attention of the audience. Griven provided the show with 68 Danube LED color changers and 54 Dive underwater video projectors, providing the light and water show with 44,000 lumens of video projection. All three versions of the Danube, which comes with 10°, 30°, or 45° beam angles, were used giving the show’s light its vibrant character.


Griven’s work in India is not the company’s first international assignment. Griven has been invited to illuminate some of the world’s greatest structures including the Eiffel Tower in France, the Alabaster Mosque in Egypt, and the Fuji TV Tower in Japan. Griven’s Kolorado and Gobostorm series color changers and gobo projectors have been particularly popular and have been used across the globe. The Kolorado and Gobostorm are some of the most powerful light sources available on the market. The Griven Kolorado 4000 produces an amazing 380,000 lumens, which makes the Kolorado 4000 capable of illuminating any structure. BulbAmerica carries the full Kolorado and Gobostorm lines to satisfy your large scale outdoor illumination needs, check us out today!

Edge-Lit LED Flat Panels: A Bright Future for LED Technology



When you ask somebody to imagine the ceiling of an office, they normally will picture a checkerboard of illuminated panels and ceiling panels. These panels have typically been illuminated using fluorescent tube lights and a plastic light diffusing panel. Edge-lit LED flat panel technology will soon be revolutionizing the way offices are lit and replace the mercury based fluorescent bulbs with clean and longer lasting light. Edge-lit LED panels are illuminated using a limited amount of LED bulbs. The LED bulbs are installed along the edges of the panels. The LED light travels across the panel’s acrylic surface via channels and grooves cut using a laser. The small sizes of LED bulbs coupled with the edge-lit design give the panels unprecedented benefits and versatility in size, shape, and application. The panels have a typical width of only 8mm to 14mm (up to 30mm with a frame for the panel) and can be cut to any shape, size, color, or color temperature. The possible applications for such versatile low profile lighting are nearly limitless. Current venues in which this lighting is already being used include the office, railroad car lighting, back lighting, product display lighting, boat interior lighting, and others.

Edge-lit LED panels have all of the benefits of other LED lighting. Their minimal wattage, high luminosity, and 50,000+ hour lifespan makes them a truly unbeatable lighting option. Furthermore, LED lighting is fully dimmable and would thus give you more flexibility in your office or store lighting than fluorescent lighting would. Edge-lit LEDs also eliminate the need for plastic diffuser panels and lamp starters, both of which fluorescent lighting require.

Edge-lit LED panels are not currently being produced by any major manufacturers, but this is probably only a very temporary situation. In June of 2010, GE signed an agreement with Rambus, a major technology licensing firm, for use of their LED technology licenses. Included in these licenses is Rambus’ edge-lit LED panel design, so expect to see GE offering these panels in the near future. Other manufacturers of LED panels include Green Lighting, Joliet, LPS Excil Electronics, LED Cool Lights, and others. Edge-lit panel technology represents the forefront of an ever-expanding body of LED technologies. Keep your eyes peeled, and we will too, for this exciting new LED technology.